Time Based Synaesthesia, Spacetime Identity and Uchromia
we-over there felt skin ante meridien at 9/ 8 musical time signature of some electroswing version of pistachio dolphin street bruised-bouyant in a just-right heated seasalt water pool but that was yesterday though/ if immanence is cosmological then tonight's half-moon is fixed and the dark half is pale yellow
my hair is 5.41pm in the body as 24 hours chronologial time, so to say. The full day and night in Greek is νυχθήμερον
a dialogue as pedagogy
how are you today?
I am 4 o'clock.
how many models of time are there besides aion kairos and chronos which are Hellenistic, semantically? blue is a time utilised in art therapies. time as colour and ergo couture. blue and green can be seen in music about nature so green dolphin street sings.
we-over there as personal pronoun is identity as space re-assemblage. identity as spacetime reassemblage for time based synaesthetes as singular
me.am as time synaesthete singular under a chronology. me.am at 5.55am
we-over there as my preferred formal personal pronoun in space comes under formal chronology at the moment. the thing about being nonentryist in contemporary structuralism is that important demarcations as protocol are stlll officious in tone, opportunism is rife, gatekeeping is euphemised as individualist ethics and that might even enjamb hyperindividuals or any identity.
Hellenistic time models are aion, kairos and chronos. time as music can have colour as genre "blues" and as timbre "Syrinx the flute work can be described as silvery" time as timbre can be ascribed, again and again. Spacetime identity can be multicoloured, spatially re-assemblable as a semantic and auditory ergo multisensory. Laruelle's notion of the Black Universe may come into play, Badiou's work Black the Brilliance of a Non-Color, the hyperphysics of colour theory between white grey and black bodies. Non-colour is also termed uchromia by Laruelle in a notion non-photography. Uchromnesia is perhaps a literary forgetting. And here I got uchronia as time. The Uranian type and poetic - my work on Verity La and thank you to poet Tricia Dearborn who described work as "arresting." So nice to have someone get it.
Capturing my medically termed psychosis as glass man delusion, a medieval materia medica, and the notion of my sometimes clear dreamt-voices and clear-dreamt read text, a posit of ideation as anideation to just get away from medicalised ideationalism.
One for the time synaesthetes: cardiology measures your heart age as a Framington's Age. On last check, heart is older than I am in years. So bodily systemics can frame us as various ages.
The phenomenology of sensory array might be multiage too. The bifurcated experienced crossmodal interioception of being 47 and 25 simultaneously i experienced last October. Perhaps you can call it neurophenomenology. There's a rare book on shamanism about that and there's the estate of Varela of Maturana and Varela fame. Two poets in a cloud.
The posit im conceiving is not only to cultivate the interioception of 25 but cultivate an entire temporal interioception of every memory. Perhaps to the entire of pure memory (everything that ever happened to me) as distinct to the unconscious. A work I'm interested to read next is Marx's Temporalities
my hair is 5.41pm in the body as 24 hours chronologial time, so to say. The full day and night in Greek is νυχθήμερον
a dialogue as pedagogy
how are you today?
I am 4 o'clock.
how many models of time are there besides aion kairos and chronos which are Hellenistic, semantically? blue is a time utilised in art therapies. time as colour and ergo couture. blue and green can be seen in music about nature so green dolphin street sings.
we-over there as personal pronoun is identity as space re-assemblage. identity as spacetime reassemblage for time based synaesthetes as singular
me.am as time synaesthete singular under a chronology. me.am at 5.55am
we-over there as my preferred formal personal pronoun in space comes under formal chronology at the moment. the thing about being nonentryist in contemporary structuralism is that important demarcations as protocol are stlll officious in tone, opportunism is rife, gatekeeping is euphemised as individualist ethics and that might even enjamb hyperindividuals or any identity.
Hellenistic time models are aion, kairos and chronos. time as music can have colour as genre "blues" and as timbre "Syrinx the flute work can be described as silvery" time as timbre can be ascribed, again and again. Spacetime identity can be multicoloured, spatially re-assemblable as a semantic and auditory ergo multisensory. Laruelle's notion of the Black Universe may come into play, Badiou's work Black the Brilliance of a Non-Color, the hyperphysics of colour theory between white grey and black bodies. Non-colour is also termed uchromia by Laruelle in a notion non-photography. Uchromnesia is perhaps a literary forgetting. And here I got uchronia as time. The Uranian type and poetic - my work on Verity La and thank you to poet Tricia Dearborn who described work as "arresting." So nice to have someone get it.
Capturing my medically termed psychosis as glass man delusion, a medieval materia medica, and the notion of my sometimes clear dreamt-voices and clear-dreamt read text, a posit of ideation as anideation to just get away from medicalised ideationalism.
One for the time synaesthetes: cardiology measures your heart age as a Framington's Age. On last check, heart is older than I am in years. So bodily systemics can frame us as various ages.
The phenomenology of sensory array might be multiage too. The bifurcated experienced crossmodal interioception of being 47 and 25 simultaneously i experienced last October. Perhaps you can call it neurophenomenology. There's a rare book on shamanism about that and there's the estate of Varela of Maturana and Varela fame. Two poets in a cloud.
The posit im conceiving is not only to cultivate the interioception of 25 but cultivate an entire temporal interioception of every memory. Perhaps to the entire of pure memory (everything that ever happened to me) as distinct to the unconscious. A work I'm interested to read next is Marx's Temporalities
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| Uranium Glass Art - Ken and Julia Yonetani |
